I'm a designer and builder of guitar effects pedals, amplifiers, and other pro audio gear. I'm currently hard at work launching my latest designs - the Super Saturator, a compressor/limiter and overdrive pedal rolled into one, and the Butter Booster, a modern take on the classic boost circuit. Check back soon, follow me on social media @oddbirdaudio, or head on over to my Reverb store for the latest.
In an attempt to make the Butter Booster more butter-like, I've been working on a pigment mixture that achieves a more consistent shade. Previously I'd done this by cooking it in a toaster oven until it turns golden brown, like a batch of chocolate chip cookies. This was a bit imprecise. I found a nice yellow water-based pigment that works well with water-based polycrylic, resulting in the following:
The latest and greatest version of the Butter Booster is up for sale now, see my Reverb shop for more details.
And for those local to Portland, head over to Hank's Music Exchange in Hawthorne to try it out in person!
The Butter Booster is my version of the classic Dallas Rangemaster. It features a custom hand brushed finish, durable hand-wired Switchcraft jacks, and a PCB layout for the audio and power circuits to minimize noise. This design accepts a standard polarity (center negative) DC 9V power adapter, and includes an internal voltage regulator that ensures consistent tone and bias regardless of the input voltage (9-14VDC nominal). All switching has been carefully designed to be pop-free, and this pedal is true bypass.
There are three tone presets - Traditional, Modern, and Baritone, plus the Ge and Si modes making for six different tonal combinations:
Traditional (aka "Treble") is the same 2.6kHz corner frequency of the original Rangemaster
Modern (aka "Midrange") drops this an octave to about 1.3kHz. I find it gives it a bit more grit, mellows out the brightness, and works well with newer amplifier designs that may already be shaping the overdrive tone with bright caps or high shelves.
Baritone (aka "Bass") is around 700Hz, coincidentally the same as the Tube Screamer. It has some of the TS character, but clips asymmetrically and has its own distinct flair. Useful for overdriven bass, drop tuning or baritone instruments.
Full disclosure: there is a single silicon transistor at the heart of this pedal! In my testing I found that selecting the right transistor with non-linear gain characteristics matters much more than whether it is Ge, Si, NPN, or PNP. With the proper components any silicon transistor can be made to sound virtually identical to germanium, although the opposite is not necessarily true.
The benefits of silicon are numerous - well-defined gain, low leakage, low noise, low dependence of gain on temperature, and good consistency across batches. The mystique of germanium is undeniable, that's just not what this pedal is about. The Butter Booster is designed to deliver optimal performance and consistent tone in a compact package.
Preparing to launch the latest Butter Booster with more tone options, improved layout and circuit boards, all handmade and wired start to finish - stay tuned. More photos and demo coming soon!
This is my personal take of the classic Rangemaster circuit. My first impression was that that it sounded buttery smooth, so I'm calling it the Butter Booster. I've trimmed the ice-pick highs, sculpted the low-lows, and I characterize and bias each transistor individually so every pedal has the optimal tone. Pull the volume knob to switch the voicing from the classic treble booster bite to a more modern, Strat-friendly tone with more mids and grit.
Handmade from start to finish
Point to point wiring for the smallest possible package
Each pedal is individually optimized
Ice-pick highs are trimmed before amplification, keeping the tone bright but smooth
Switchable tone shaping
Very compact - two inches square! Great for filling little nooks on your pedal board
Don't forget to play around with the volume and tone knobs on your guitar. The interaction between your pickups, guitar tone circuitry, and the transistor stage of this pedal is where the magic really happens. This relic is still relevant today, and gives your tone a special attack and sustain that you simply can't get elsewhere.
If you like what you see, be sure to stop by my Reverb shop to check out what I've got in stock
All demos are recorded with a clean Fender style amplifier, coupled with a Stratocaster run directly into the Butter Booster. Some mild reverb and delay in the effects loop can be heard in some takes, this is the MXR Carbon Copy. The combo amplifier features real spring reverb.
This pedal was inspired when a friend asked me if I could create a pedal to give his banjo an overdrive-like sound for covering classic rock. He has a very avant garde approach to bluegrass, running guitar effects pedals with his banjo to create new and interesting sounds.
After much research and development the Super Saturator arose for this -- a compressor/limiter at low gain levels or an overdrive pedal at high gain. Use it with a clean amp for limiting and enhancing articulation and body, or you can use it to overdrive your amplifier for wonderfully saturated cascading gain.
A special feature of this pedal is the way it shapes the dynamics of the signal. It provides gentle compression that increases clarity and prescence and allows you to cut through the mix, even at low volumes. The attack lets the prefect amount of the transient through, allowing your riffs to pop out instead of getting buried.
Designed to be a complete amplifier in a small, portable package, this 7x5x3" unit sits comfortably on the top of your desk, workstation, or pedal board while providing classic tube amp tones right out of the box. This was created to fill a simple need in my own life as a gigging musician - I wanted a simple device that could expedite the music creation process of both gigging and recording, without sacrificing tone. Simply plug your guitar into the input, run the output into your PA system or recording interface, and you're ready to rock with classic tube amp tones right at your fingertips.
My philosophy was to capture the best parts of classic preamp designs in as compact of a package as possible. The result is a smooth, expressive amplifier that can cover the tonal gamut. Go from pure shimmering cleans, gentle compression and limiting, all the way to classic crunch and edge-of-breakup tones. If you desire epic lead tones, grab yourself a boost pedal and push the distortion over the top! This preamp can handle very high signal levels with grace, and won't block or exhibit other undesirable distortion characteristics, no matter what you throw at it.